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<title>Col. Brandon &amp;amp; Elinor: Did Austen get the ending of Sense &amp;amp; Sensibility wrong?</title>
<description>I&#039;ve always felt that Col. Brandon and Elinor were better matched. They had a well established friendship (which is a much better foundation for love and affection) vs being attracted to someone who reminds you of your lost love (Col Brandon &amp;amp; Marianne). 
I find the romance of Col Brandon and Marianne to be superficial and shallow. Personally I could not be flattered by a man who only liked me because I remind him of the woman he cannot have. Marianne has to convince herself to love Col Brandon and it&#039;s like she settles for him and he does her the disservice of &quot;loving&quot; her because she reminds him of his lost love.
Edward Ferras always seemed to not have enough backbone for Elinor. I mean how do you forget that you are engaged to another woman and romance another? He never mentioned it to Elinor and while Austen in a way tries to portray Edward as honorable for keeping his engagement to Lucy despite his heart being engaged elsewhere, it is not enough because I just see Edward as dishonorable. He engaged Elinor&#039;s affections while knowingly being engaged to Lucy. It&#039;s unforgivable in my opinion. 
Col Brandon and Elinor just seems much better suited. They are friends which can breed love. Reading Sense and Sensibility there are passages which can make the reader think that Col Brandon and Elinor are to be the HEA. The affection and respect they have for each other seems better suited to lasting felicity. 
I just can&#039;t reconcile Col Brandon/Marianne and Edward/Elinor. I think that Austen may have gotten the romantic relationships wrong in this novel. Is it just me?</description><link>https://www.dwiggie.com/phorum/read.php?4,119888,119888#msg-119888</link><lastBuildDate>Tue, 14 Apr 2026 21:56:52 +0100</lastBuildDate>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,120025#msg-120025</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,120025#msg-120025</link><description><![CDATA[I never meant to suggest that JA did not plan out the ending. The problem is that Edward Ferrars is IMO a very flawed character. I am sure JA got exactly th ending she wanted. My complaint really is in the characters of the males involved. But again I am looking at it from a 21st century and a male perspective and not a 19th century female one. And those two aspects probably account for a lot of the difference.<br /><br />Besides Ferrars had to be as he was for the plot line to work. :)]]></description>
<dc:creator>Peter</dc:creator>
<category>Tea Room</category><pubDate>Fri, 19 Feb 2016 13:21:25 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119985#msg-119985</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119985#msg-119985</link><description><![CDATA[Quote:<br />I suspect that she had failed to write into the story a good match for Marianne and hence Brandon.<br /><br />I can't agree with you. Most authors tend to plan their plots and write each and every character exactly the way they want. If Marianne marries Brandon and Elinor marries Edward, then that is how Austen wanted and planned the ending. I can't imagine her arriving at the last chapter of her novel and only then realising she had no hero for Marianne!<br />In my opinion, the author wants us to see that sense and sensibility should and can be balanced. At the beginning of the book, Elinor is all sense and practicality, while Marianne is all sensibility and easily swept by the intensity of her own emotions. Either extreme is dangerous. So, by the end of the novel, Elinor acquires some more sensibility (she accepts the man she loved all along, despite his less-than-sterling behaviour) and Marianne becomes more sensible, growing to love Brandon because of his character and not out of romantic infatuation. That is the point of "Sense and Sensibility", IMO. I may not be overly fond of the novel, but I can't fault the reasoning behind it.]]></description>
<dc:creator>Lily</dc:creator>
<category>Tea Room</category><pubDate>Wed, 17 Feb 2016 11:37:12 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119980#msg-119980</guid>
<title>Re: Frank Churchill&#039;s haircut</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119980#msg-119980</link><description><![CDATA[Actually, it is described in the novel that Mr. Knightley has a negative reaction on FC going to London just for having his hair cut, although it isn't an outrage. From Ch. 25 (shortly following Emma's being disturbed and the desription of the neighbourhood's benevolent opinion on Frank in spite of his strange whim):<br /><br /><blockquote class="bbcode"><div><small>Quote<br /></small><strong></strong><br />There was one person among his new acquaintance in Surrey, not so leniently disposed. In general he was judged, throughout the parishes of Donwell and Highbury, with great candour; liberal allowances were made for the little excesses of such a handsome young man -- one who smiled so often and bowed so well; but there was one spirit among them not to be softened, from its power of censure, by bows or smiles -- Mr. Knightley. The circumstance was told him at Hartfield; for the moment, he was silent; but Emma heard him almost immediately afterwards say to himself, over a newspaper he held in his hand, <b>"Hum! just the trifling, silly fellow I took him for."</b> She had half a mind to resent; but an instant's observation convinced her that it was really said only to relieve his own feelings, and not meant to provoke; and therefore she let it pass.</div></blockquote><br />By the way, if I am not mistaken, the haircut was only an excuse for Frank to go to London and buy the pianoforte for Jane. It is rather a silly excuse (I'm not sure whether he perceived the danger of being judged for frivolity by a conservative country society) and buying the pianoforte is a show of his reckless attachment to Jane, but he did it to give her something she would be happy for, however badly he executed it.]]></description>
<dc:creator>Agnes Beatrix</dc:creator>
<category>Tea Room</category><pubDate>Wed, 17 Feb 2016 07:37:18 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119977#msg-119977</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119977#msg-119977</link><description><![CDATA[There are many ways to be a stereotype villain in film adaptations that perhaps Jane Austen didn't quite intend. My points are based on such. Mark Strong's (playing George Knightly) outrage at Frank Churchill going to London for a haircut (which didn't happen in the book, it was Emma who was surprised by it ) being but one example. In the film version Frank Churchill didn't come across as a very nice person at all. This was why my question asked if films gave us a false impresssion at variance with the book..]]></description>
<dc:creator>Jim G.M</dc:creator>
<category>Tea Room</category><pubDate>Tue, 16 Feb 2016 21:20:37 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119976#msg-119976</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119976#msg-119976</link><description><![CDATA[<blockquote class="bbcode"><div><small>Quote<br /></small><strong></strong><br />What I sometimes wonder is if our perceptions of her characters are too coloured or influenced by watching modern adaptations?</div></blockquote><br />I can’t speak for others but the pictures I have in my mind of these characters do not usually match the actors who played them in the adaptions. Maybe part of that is because I watched at least two for each book within a relatively short amount of time so they weren’t able to replace the pictures I had in my head.<br /><br /><blockquote class="bbcode"><div><small>Quote<br /></small><strong></strong><br />Elizabeth was but tolerable in looks until the intelligence in her dark eyes attracted Darcy's interest rather than her pretty looks.</div></blockquote><br />That was true in Darcy’s case but I got the impression most people <i>do</i> think Lizzy is pretty – just not as pretty as Jane.<br /><br /><blockquote class="bbcode"><div><small>Quote<br /></small><strong></strong><br />Did Jane Austen stereotype her villains this way purposely?</div></blockquote><br />Henry Crawford does not fit this stereotype.]]></description>
<dc:creator>Amytat</dc:creator>
<category>Tea Room</category><pubDate>Tue, 16 Feb 2016 20:57:33 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119974#msg-119974</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119974#msg-119974</link><description><![CDATA[I like that Austen shows Elinor and Colonel Brandon to be good friends with no romantic interest in each other.<br /><br />I think it’s harder to see because the falling in love happens off-page but I get the impression in chapters 17 &amp; 18 that Elinor and Edward share a similar sense of humor. Like when he says that if Marianne were wealthy she would by every copy of Thomson, Cowper and Scott, “to prevent their falling into unworthy hands” His comments about the picturesque (“I shall offend you by my ignorance and want of taste, if we come to particulars. I shall call hills steep, which ought to be bold! surfaces strange and uncouth, which ought to be irregular and rugged;… I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles, or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower ....”) remind me a little of Elinor telling Marianne that not everyone share her fascination for dead leaves and Elinor laughs in response to Edward’s speech I don’t remember Colonel Brandon ever making her laugh.<br /><br />Edward makes a number of mistakes but I can sympathize with how he got himself into such a mess. I can see how he convinces himself he’s not engaging Elinor’s affections.]]></description>
<dc:creator>Amytat</dc:creator>
<category>Tea Room</category><pubDate>Tue, 16 Feb 2016 20:44:52 +0000</pubDate></item>
<item>
<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119952#msg-119952</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119952#msg-119952</link><description><![CDATA[To say JA "got it wrong", as others alluded to it, is not quite appropriate: they are her characters in her story, so we can say we would prefer an alternate pairing but it's only our own interpretation of JA's characters and situations, influenced by our personal and cultural background. The author is the final authority on how her characters are to find happiness.<br />I can interpret Col. Brandon's attraction to Marianne without it being morbid: he is attracted to a certain type of woman and just not attracted to a different type (embodied in Elinor), even if he likes and respects her.<br />As for Edward and Elinor, their whole romance is underdeveloped, to use Suzanne's approach: we get to know Elinor's feelings and how she deals with them, but not much of Edward's side of the relationship, except for his final explanations. In this sense, he is Elinor's reward.<br />I agree that Edward's mistakes are very serious: both getting involved with an unworthy girl (especially to the extent of a secret engagement) and to yield to the temptation of furthering an acquaintance with Elinor as if he was free. Both are very immature actions. However, he shows he has a moral "backbone" when he refuses to bow to his mother and sticks to his promise without the benefit of love. I imagine that he has learned from his mistakes.<br /><br />Elinor and Col. Brandon might be content if they end up married, but love doesn't necessarily develop from this foundation, contrary to romance novels.]]></description>
<dc:creator>Agnes Beatrix</dc:creator>
<category>Tea Room</category><pubDate>Mon, 15 Feb 2016 20:33:25 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119947#msg-119947</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119947#msg-119947</link><description><![CDATA[I agree with you that Elinor and Colonel Brandon are described as friends, without sexual attraction, but I disagree about the example of Della Street. The idea that if one has a good job and close friends she would not gain anything important with a marriage to a loving and committed partner is a mistake, and it's not in the Perry Mason books. Della is purposefully described without a romantic relationship to be always available to help the protagonist.]]></description>
<dc:creator>Agnes Beatrix</dc:creator>
<category>Tea Room</category><pubDate>Mon, 15 Feb 2016 20:02:25 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119936#msg-119936</guid>
<title>Re: Jane Austen&#039;s handsome father</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119936#msg-119936</link><description><![CDATA[My viewing of such pictures, silhouettes as are available didn't lead me to think that way, but I'll concede the point. I did but express a view.]]></description>
<dc:creator>Jim G.M</dc:creator>
<category>Tea Room</category><pubDate>Mon, 15 Feb 2016 11:43:57 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119935#msg-119935</guid>
<title>Jane Austen&#039;s handsome father</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119935#msg-119935</link><description><![CDATA[Jim G.M Wrote:<br />-------------------------------------------------------<br /><blockquote class="bbcode"><div><small>Quote<br /></small><strong></strong><br />Her father, someone she loved dearly, was a normal working and poorish clergyman with a large family and <b>never described as handsome</b>.</div></blockquote> (my bolding)<br /><br />On the contrary, Jane's niece Anna wrote that Jane's father "…was considered extremely handsome, and it was a beauty which stood by him all his life." In addition, he was called called "the handsome proctor" while at Oxford. (These can be easily googled.)]]></description>
<dc:creator>JanetR</dc:creator>
<category>Tea Room</category><pubDate>Mon, 15 Feb 2016 11:16:22 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119930#msg-119930</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119930#msg-119930</link><description><![CDATA[I'd say the matches in the book are no worse than the match Jane made with Bingley.]]></description>
<dc:creator>Harvey S.</dc:creator>
<category>Tea Room</category><pubDate>Mon, 15 Feb 2016 04:33:16 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119926#msg-119926</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119926#msg-119926</link><description><![CDATA[To answer the "Subject:"s question in one word: Yes. Not because of the pairings, but I thought it cruel that the brothers-in-law did not seem to have the family felicity between them as I would expect, perhaps as from P&amp;P, as weakly suggested in the last paragraph. And this is after Col. Brandon made the offer of the living to Edward.]]></description>
<dc:creator>Rae Elaine</dc:creator>
<category>Tea Room</category><pubDate>Mon, 15 Feb 2016 02:20:23 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119914#msg-119914</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119914#msg-119914</link><description><![CDATA[I agree that Jane Austen knew what and who she was writing about and very young girls marrying was quite the norm in the Regency era (did not Mrs Bennet think Jane might have got an off from a gentleman when she was but fifteen? Lydia was married at just turned sixteen in her next work, <i>Pride and Prejudice</i> ) .<br /><br />What I sometimes wonder is if our perceptions of her characters are too coloured or influenced by watching modern adaptations? Did Colonel Brandon actually look somewhat like the late Alan Rickman, or Marriane Dashwood vaguely resemble Kate Winslett? Was Darcy anything like Colin Firth? Elizabeth was but tolerable in looks until the intelligence in her dark eyes attracted Darcy's interest rather than her pretty looks. I suspect that we possibly sometimes assume this to be the case when Jane Austen may have had much more plain and ordinary looking characters than Hollywood's finest in mind. Colonel Fitzwilliam was not a handome man, neither I think was Colonel Brandon. How much like a silver screen hero was Mr Knightley? Their main attraction was one of great consequence in middle class life, that of money and financial security. They all owned large properties. "Handsome is as handsome does" is an old mandate. Did it apply in Jane Austen's world?<br /><br />Wickham would have married the plain and freckled Mary King because of money and regardless of lack of beauty. The George Wickhams' John Willoughbys' Frank Churchills etc were all allowed to be handsome charming fellows but shallow and false in reality. Did Jane Austen stereotype her villains this way purposely? Her father, someone she loved dearly, was a normal working and poorish clergyman with a large family and never described as handsome. <i>Sense and Sensibilty</i> being her first major novel, what exactly did she have in mind? Since she rarely described her characters other than briefly, it is something of an intruiging question. It must have been so in the minds of film directors also when casting.]]></description>
<dc:creator>Jim G.M</dc:creator>
<category>Tea Room</category><pubDate>Sun, 14 Feb 2016 19:20:16 +0000</pubDate></item>
<item>
<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119910#msg-119910</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119910#msg-119910</link><description><![CDATA["HEA?" I cannot winkle it out. I have an explication of "HEA," but the forum rules and decorum forbid me to disclose my suspect, or even its feeble substitute. E-mail me if you are curious...<br /><br />Col. Brandon and Elinor are just right as is, as Jane Austen thought then, and as most of our societies miss today. They are the concept that a man can have a non-related woman friend as important and dear as a sister. This does show throughout literature, even video literature. Consider "Della Street" in <i>Perry Mason</i>: As a confidential legal secretary, she could be secure in her living, so like Emma Woodhouse, why should she get, or want to get, married? Mason, and their associate Paul Drake, were as close to her as brothers and excellent specimens of manhood, so the only thing she would gain in a marriage is: Well. Not that important and in the long term, not worth it. I wonder Barbara Hale's opinion?]]></description>
<dc:creator>Rae Elaine</dc:creator>
<category>Tea Room</category><pubDate>Sun, 14 Feb 2016 18:29:24 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119909#msg-119909</guid>
<title>Re: Christopher?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119909#msg-119909</link><description><![CDATA[*embarrassed sigh* yes, apparently. In my mind, he's Christopher.]]></description>
<dc:creator>NN S</dc:creator>
<category>Tea Room</category><pubDate>Sun, 14 Feb 2016 18:17:45 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119907#msg-119907</guid>
<title>Christopher?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119907#msg-119907</link><description><![CDATA[Who is Christopher? Is this a non-Austen thing like 'Richard'?]]></description>
<dc:creator>JanetR</dc:creator>
<category>Tea Room</category><pubDate>Sun, 14 Feb 2016 17:35:34 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119903#msg-119903</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119903#msg-119903</link><description><![CDATA[The point I took from the story [eventually] is that both sisters started a little too much of one thing. Elinor was too practical and too good at hiding her emotions (too WOODen?). Marianne too romantic and unthinking (too much DASH?).<br /><br />On paper, yes, Christopher was a better match than Edward, and that's how Elinor should have made the decision... But she fell in love instead. Marianne clearly fell in love at first sight with John, and look how disastrous that turned out... And she ended up making a practical marriage.<br /><br />I don't think either sister was unhappy with their choice. Elinor was still practical enough to live happily within her means ("TWO thousand a year! ONE is my wealth"). And Marianne had grown up enough to see past Christopher's flannel and to admire a man for more than dashing first impressions.<br /><br />I think more could be done to make the heroes more heroic, but that is what JAFF is for. Besides, if the point was to make Elinor marry for love, the only other bachelor of note in the story is Edward's brother Robert, and that's wrong on so many levels.]]></description>
<dc:creator>NN S</dc:creator>
<category>Tea Room</category><pubDate>Sun, 14 Feb 2016 15:19:13 +0000</pubDate></item>
<item>
<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119901#msg-119901</guid>
<title>Re: Original title of Sense Sensibility</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119901#msg-119901</link><description><![CDATA[Hi Janet R.<br /><br />I have to apologise for a misleading statement. "<i>A Lady"</i> was the title given to Jane Austen herself as the author when the book was first published. I had read that somewhere in the past and remembered it wrongly. I looked it up after your comment and saw I was in error. Again, apologies.<br /><br />Jim.]]></description>
<dc:creator>Jim G.M</dc:creator>
<category>Tea Room</category><pubDate>Sun, 14 Feb 2016 11:50:09 +0000</pubDate></item>
<item>
<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119899#msg-119899</guid>
<title>Original title of Sense Sensibility</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119899#msg-119899</link><description><![CDATA[Jim G.M Wrote:<br />-------------------------------------------------------<br /><br /><blockquote class="bbcode"><div><small>Quote<br /></small><strong></strong><br /><i>Sense and sensibility</i> originally written as "<i>A Lady</i>", a somewhat unimaginitive title,</div></blockquote><br />What is your source for this? I've never heard of another title for it besides the original "Elinor and Marianne".]]></description>
<dc:creator>JanetR</dc:creator>
<category>Tea Room</category><pubDate>Sun, 14 Feb 2016 08:22:20 +0000</pubDate></item>
<item>
<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119895#msg-119895</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119895#msg-119895</link><description><![CDATA[Edward Ferrars is definitely an underdeveloped character--I think he just doesn't have enough face time in the novel. I have never been of the opinion that Elinor and Brandon should have necessarily been best together, though. Underneath his quiet exterior, Brandon seems to be a true romantic, with a passion for music and poetry that makes him a better match for Marianne than the more pragmatic Elinor. And in the book, it's another year or after the main events before they get married, so she's not quite so young. But there again, part of the problem is the underdevelopment of that ending. Austen just wasn't as interested in the romances in her stories as she usually was in the comedy and social commentary, so she tended to leave a lot out, particularly as concerning secondary characters.<br /><br />I suppose I'm not as prejudiced against large age gaps because I married a man almost 15 years older than I am. Whatever our struggles as a married couple have been, very few of them have had anything to do with our age difference. That doesn't mean I don't know that we're close to the outside of what can be done successfully, but I'm inclined to believe our dear author when she tells us that they were happy together.]]></description>
<dc:creator>Suzanne O</dc:creator>
<category>Tea Room</category><pubDate>Sun, 14 Feb 2016 06:07:05 +0000</pubDate></item>
<item>
<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119893#msg-119893</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119893#msg-119893</link><description><![CDATA[Whatever we may think, which is only personal opinion (as mine is here) , the story belongs to Jane Austen, so we have to accept her take on it. <i>Sense and sensibility</i> originally written as "<i>A Lady</i>", a somewhat unimaginitive title, was, in comparison to her second work, <i>Pride and Prejudice</i>, a somewhat pale and meandering tale that didn't really live up to its interesting beginning. A first novel may have taught Jane Austen a few valuable lessons that she applied in her second work, such as the value of strong characters operating outside the lovers, ie Mr and Mrs Bennet, Mr Collins, Wickham and Lady Catherine de Bourgh. No one in <i>Sense and Sensibility</i> comes near them for inspiring feelings of nonesense, humour and sheer character portrayal. <i>Emma</i> and <i>Persuasion</i> both had content that also inspired stronger impressions on the reader, and plots that were simple, feasible, in some cases almost mundane and yet interesting whilst not relying on proven formula for overdone drama. A point worth mentioning is that neither Marriane Dashwood, Elizabeth Bennet or Emma Woodhouse were overtly nice people in part at the onset. Anne Elliot on the other hand, inspired me with just the opposite (if possibly a little saintly) feeling, as did Elinor Dashwood.<br /><br />Colonel Brandon and Edward Ferrars didn't inspire me either as strong people so much as mild and safe types dropped in to execute a happy ending. Willoughby also appeared a little mundane and indecisive compared to George Wickham. Marriane Dashwood just appeared as a victim of youth and all that goes with it and Willoughby fitted her imagination to the exclusion of all others so another Sir Galahad could hardly ride in and take over..<br />Brandon she probably felt part father figure for initially and she needed some time to let her own personality grow and mature. Brandon was also ideal as the rich husband every mother wanted for her daughter. Mrs Bennet would have had him married in a fortnight. (-:]]></description>
<dc:creator>Jim G.M</dc:creator>
<category>Tea Room</category><pubDate>Sun, 14 Feb 2016 00:30:12 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119891#msg-119891</guid>
<title>Re: Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119891#msg-119891</link><description><![CDATA[I also have never thought highly of Edward Ferrars for much the reasons you have outlined. Elinor served better although he apparaently was the one she loved..Brandon, as you have noted, was a better match and could have been written into the role quite easily.<br /><br />I also don't like the age difference between Brandon and Marianne - 17 or 18 years is too much IMO although for the times it was not unusual. I suspect that she had failed to write into the story a good match for Marianne and hence Brandon.]]></description>
<dc:creator>Peter</dc:creator>
<category>Tea Room</category><pubDate>Sat, 13 Feb 2016 20:09:37 +0000</pubDate></item>
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<guid>https://www.dwiggie.com/phorum/read.php?4,119888,119888#msg-119888</guid>
<title>Col. Brandon Elinor: Did Austen get the ending of Sense Sensibility wrong?</title><link>https://www.dwiggie.com/phorum/read.php?4,119888,119888#msg-119888</link><description><![CDATA[I've always felt that Col. Brandon and Elinor were better matched. They had a well established friendship (which is a much better foundation for love and affection) vs being attracted to someone who reminds you of your lost love (Col Brandon &amp; Marianne).<br /><br />I find the romance of Col Brandon and Marianne to be superficial and shallow. Personally I could not be flattered by a man who only liked me because I remind him of the woman he cannot have. Marianne has to convince herself to love Col Brandon and it's like she settles for him and he does her the disservice of "loving" her because she reminds him of his lost love.<br /><br />Edward Ferras always seemed to not have enough backbone for Elinor. I mean how do you forget that you are engaged to another woman and romance another? He never mentioned it to Elinor and while Austen in a way tries to portray Edward as honorable for keeping his engagement to Lucy despite his heart being engaged elsewhere, it is not enough because I just see Edward as dishonorable. He engaged Elinor's affections while knowingly being engaged to Lucy. It's unforgivable in my opinion.<br /><br />Col Brandon and Elinor just seems much better suited. They are friends which can breed love. Reading Sense and Sensibility there are passages which can make the reader think that Col Brandon and Elinor are to be the HEA. The affection and respect they have for each other seems better suited to lasting felicity.<br /><br />I just can't reconcile Col Brandon/Marianne and Edward/Elinor. I think that Austen may have gotten the romantic relationships wrong in this novel. Is it just me?]]></description>
<dc:creator>Kaydee</dc:creator>
<category>Tea Room</category><pubDate>Sat, 13 Feb 2016 15:46:08 +0000</pubDate></item>
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